Philharmonie de Paris

The Philharmonie de Paris is the iconic building in the Parc de La Villette. Its enveloping and modular typology offers multiple seating and stage configurations as well as a large range of variable acoustics.

Information Sheet

New Build Philharmonie de Paris   philharmoniedeparis.fr

LocationParis, France.

Project Cost 380 million €.

Time Frame Winner of the International competition for acoustician to the client: 2006. Definition of the acoustical brief, elaboration of the acoustical programme and documents for the architectural competition: 2006. Design: 2007-2009. Construction: 2010-2014. Opening: January 2015.

Owner Association Philharmonie de Paris (Ministry of Culture, City of Paris and Region of Paris).

Architect(s) Jean Nouvel, Ateliers Jean Nouvel, Paris   www.jeannouvel.com  •  Brigitte Métra, Métra & Associés, Paris (concert hall)   brigittemetra.com

Theatre Planner(s) dUCKS Scéno, France   www.ducks.fr

Acoustician(s) to Owner Kahle Acoustics, Brussels  •  Altia Acoustique, Paris.

Acoustician(s) to Design Team Harold Marshall, Marshall Day Acoustics, Auckland  •  Yasuhisa Toyota, Nagata Acoustics, Los Angeles (special advisor to Jean Nouvel).

Seat Count 2 400-seat concert hall, 450-seat chamber music hall, rehearsal rooms, offices. Total area approx. 25 000 m².

Uses Main concert hall for the Orchestre de Paris and invited symphony orchestras. Additional programming includes amplified music, world music and jazz.

Services — Acoustician to the Owner From the definition of the acoustical brief through program development, supervision of design, supervision of construction, opening services.

Team Eckhard Kahle, Project Director, Yann Jurkiewicz, Brian F.G. Katz, Thomas Wulfrank, Kahle Acoustics. In collaboration with Altia Acoustique, Paris.

01/11Philharmonie de ParisView of the 2 400-seat hall during the opening. Photo © Charles Platiau
02/11Philharmonie de ParisView by night of the Philharmonie de Paris's entrance. Photo © Kahle Acoustics
03/11Philharmonie de ParisIn the 2 400-seat concert hall, the audience surrounds the Orchestre de Paris. Photo © Kahle Acoustics
04/11Philharmonie de ParisPanoramic view of the 2 400-seat hall with its envelopping typology where the farthest viewer is only 32 metres away from the conductor The hall consists of an inner, “floating” volume nested within a larger outer volume, allowing direct sound, lateral reflections and reverberation to interweave in order to combine excellent clarity and transparency with ample resonance. Photo © Nicolas Borel
05/11Philharmonie de ParisThe 283-m² stage of the Grande Salle features motorized platforms and can accommodate any orchestral formation. The choir balcony being retractable, a frontal stage can be put in place. The floor seating can be removed in order to enlarge the stage or accomodate standing audience. Photo © Nicolas Borel
06/11Philharmonie de ParisThe 15-metre high by 20-metre wide organ — manufactured by The Ateliers Rieger — has been conceived for the symphonic repertoire. Photo © Beaucardet
07/11Philharmonie de ParisView onto the floating balconies, with their ribbon-like back walls and the suspended cloud-shaped reflectors. All surfaces, from the balcony fronts to the balcony soffits as well as the back walls and the reflectors contribute to the acoustic reflections. Photo © Nicolas Borel
08/11Philharmonie de ParisThe important quantity of reflecting surfaces contributes to the early lateral reflections, providing intimacy and envelopment to every spectator. Photo © Nicolas Borel
09/11Philharmonie de ParisDetail of the outer acoustic volume, located between the back of the balconies and the outer wall of the hall, which contributes to the long reverberation of the sound. Photo © Nicolas Borel
10/11Philharmonie de ParisDetail of one of the entrances leading into the Grande Salle through the outer acoustic volume. Photo © Nicolas Borel
11/11Philharmonie de ParisAccess doors to the second floor balcony. Photo © Kahle Acoustics